The Tell-Tale Fridge

 By Jamie M Andrew

I’m trying to watch the television and I can’t concentrate because of the racket coming from the kitchen; the guy just won’t shut up. It’s too cold, it’s too dark, it’s this, it’s that, blah blah blah. And it’s really annoying me, because it’s a good programme. It’s really interesting, but I’m not taking it in because this inconsiderate bastard is giving it all that. I put up with it for so long – because patience is a virtue as my dad used to say – but you have to draw the line somewhere, don’t you? It’s all good and well being patient with people, but if they lack the common courtesy to respect your right for a little bit of peace and quiet now and again then what use does your patience serve? That’s why you don’t let people take a loan of you, as my dad also used to say. He’s right – on both counts. Right now, this chattering swine in the kitchen is taking a loan of me, and I don’t like it.

I get up from my comfortable armchair and storm through to the kitchen. He’s still at it. I open the fridge door and give him my most reproachful look, and he seems to shut up for a moment, because he can see that I mean business.

It’s cold,’ he says, looking rather sorrowful.

I’m trying to concentrate,’ I tell him. We’ve been here before, as well he knows.

But it’s cold. And dark. And I can’t feel my legs.’

Is that supposed to be funny?’ I ask him, pulling my mouth into a snarl.

Can’t I come out? Just for a little while?’

I’m watching television.’

I could watch it, too. Honest, I’ll be quiet.’

There’s no reasoning with him when he’s like this, so I slam the fridge door shut and march back to my armchair. Not three seconds pass before he’s at it again.

Wanker!’ he shouts. ‘Fucking wanker!’

And that’s it. I can’t take him anymore. A man has the right to expect respect in his own house, doesn’t he? Well, I give him what for this time. I don’t miss him and hit the wall, as my dad used to say. I hit him against the wall; I open the fridge, grab a clump of his freezing brown hair in my hand, yank him out and throw him with all of my might. He acts as if it’s my fault.

What did you do that for?’ he whines, and I can tell he’s choking back tears.

You know fine well,’ I tell him. I’ve no sympathy. He brings it all on himself.

How many times have I had to tell you and still you act up?’

He doesn’t know what to say to that one, because he knows I’m right.

Can I stay out here now?’ he pleads.

Maybe he forgets his little outburst, but I certainly haven’t. I take some masking tape out of the drawer under the sink and stretch a tough length of it across his blue lips. He doesn’t like that one bit. I carry him back over to the open fridge like a hairy lettuce and slide him back in next to the margarine. You’d think he’d have learned his lesson, but, no, he’s still at it. I can’t understand what he’s mumbling about, but his muffled rantings are irritating nonetheless.

Still, there’s no harm in giving somebody a second chance, as my dad said the once. But that’s it. I know if I hear him one more time I’m going to kick him out of the window like a football. I tell him that’s what I’ll do, and he seems to believe that I’m serious, because he shuts up for a few minutes.

I’m just watching this bit where a lion’s sinking its teeth into the rump of an antelope when, surprise, surprise, what do I hear? Somehow he’s managed to chew through the tape, and his mouth is motoring away again, spouting out the filthiest language yet, well… I did warn him, didn’t I? I did tell him that I was going to punt him out the window, and you can’t make promises you don’t follow through on, as my dear old dad would often say. How will people learn that you’re serious if you go back on your word all the time? No, you’ve got to be consistent. Firm, fair and consistent. And definitely firm. That’s the most important.

So, that’s it. The gloves are off, but you know… I don’t feel like a baddie, far from it, no, because I’ve given him every chance to repent – more chances than he deserves – and it’s still vulgarity and ingratitude I’m getting.

Come on, can’t we talk about this?” he snivels as I’m walking over to the window with him clasped in my hand. I’m deaf to him, you see, because it’s too late for words. The time for talk has passed, so now its action that’s got to speak. He’s really crying now, but who’s he got to blame? I unlatch the window, push it open wide, position myself, toss him into the air, and take a strong, steady aim at his skull with my swinging foot. He makes a kind of a cracking thlump sound as he begins his trajectory upwards then earthwards. It’s three storeys down.

FUUUUCCKKK YOOOOOoooooooooooooooooo,’ he says.

All I want is to watch the rest of my programme, is that too much to ask? I think it must be, because I hear a quick chorus of cracks, a little yelp, a thud, and then that little bastard is shouting – shouting! – from outside, causing a scene and embarrassing me in-front of the neighbours. I really think that I’m going to trap him in a vice and squeeze him until his glassy little eyes pop out from their sockets, because I saw it in a movie once and it looked like it really hurt, and I think that’s kind of what he kind of deserves now that he’s making me the laughing stock of the whole street.

I head-butted somebody!’ he’s shouting. ‘They’re unconscious on the grass! Look what you made me do! Look what you did! Look what you did! You’ve killed her! YOU’VE KILLED HER!’

This really is the last straw. The very last straw, the last straw in the box, you know, the one that broke the camel’s back, as my dad used to say? How dare he shout things like that in broad daylight, outside, with so many people around? Who does he think he is?

I go over to the window and look out, and he’s right, because there’s a woman lying next to him on the grass, out cold, the contents of her shopping bags spilled out like guts. I can’t believe he’s done this to me. Can’t believe he would aim himself directly at that woman and knock her out like that. It’s so typical of him to get me into trouble like this and, as usual, it’s me that’s going to have to sort this mess out. Well, it’s like dad used to say, isn’t it: that you can’t count on anybody but yourself in this world.

He used to say that movies and TV made us think that the world’s a good place, but in real life the Lone Ranger would have shot Tonto just for being a dirty Indian, or Tonto would have scalped him and cut him into bits and ate him just for the sake of it. That’s why Dad kicked the TV now and again, or threw it out of the window.

Still, maybe some company won’t be too bad – just for a little while. It’s been a long time since I’ve had a whole friend to talk to, to share things with, to watch my television with. Just for a little while. We could have cups of tea together, and a cake, and maybe talk about the weather, and football, and what our favourite programmes on the television are. It’d be nice to have a friend for a while.

I grab a black bin-liner for him, and my rag and chloroform for my new friend. I know you’re thinking that I sound bad for doing that, but I’m not bad, because I’m only trying to make sure that she feels better, see? She might be scared when I get to her, so I’ve got to make sure she sees I’m trying to help, you see? I don’t want her crying out and making a scene, because that’s not what friends do, is it? Get friends into trouble – especially when they’re only trying to help. Ungrateful bitch.

So I run down the stairs and I scoop him up first, dropping him into the black bag like a shit down the toilet, making sure I hold it at ground level so he hurts himself as he hits the bottom.

Ow,’ he says, amongst other things, but I’m really not listening to him anymore; he may as well be speaking Dutch or German for all I know or care, because his existence is no longer of any concern to me – as if it ever was.

No, so I lift the woman up and take her weight across my shoulders and I sort of drag her into the block and clump her up the stairs, and she only scrapes her legs a few times in the process. Never matter, she’ll be fine. I put her straight into my special chair for visitors and sit her up straight, but her head keeps sagging down towards her chest, and her arms keep flopping. I don’t want her falling on the floor while my programme’s still on, and disturbing my peace, so I fetch the masking tape from the kitchen and stick her arms to the rests, actually lifting up the chair to roll the tape underneath it, so it sticks all the way over her arms, and all the way under the chair in a tight, secure loop. I do the same across her clavicle and run the tape around the back of the chair, nice and tight and safe. I see a bit of blood matting the left side of her head, so I draw a bit of tape over that too so she doesn’t stain my furniture and I have to scrub it.

Now I can sit down and really enjoy my programme, see? I mean, I’ve only been looking forward to it all day, because it’s circled in the TV guide with a black marker and everything, just so I wouldn’t miss it, and I must only have seen about five minutes of it between him giving it chat, chat, chat and now this stupid bitch spoiling my plans by getting herself hurt like this, I mean, is it too much to expect, has the world gone mad? You know, I don’t ask much, not much at all, and a man’s home is his castle as dad used to say, and he’s right again, because if I ever made a sound while he was watching his news programmes then it’d be fifty lashes of the belt and a night in the cellar, so I don’t know what that bastard was complaining about earlier, because it’s not as if I did that to him, and it’s not as if I didn’t want to at the end of the day. It’s just that I cut him a break, see, and tried to be nice to him?

So I’m just getting comfortable again when I hear the bitch on the chair mumbling, and then I feel bad for thinking she’s a bitch when I haven’t really given her a chance so I try to think nice thoughts about being in fast cars or eating ice cream or feeding the ducks. I look round at her and catch her opening her eyes, and then I realise that I’ve forgotten to put the tape around them; but then it’s not really very nice to have a friend round to your house to watch telly with you if they can’t actually see the telly, is it? Ha ha! I’m giving her a little smile, but nothing too over the top, because I don’t want to excite her and miss even more of the documentary, do I? I want her to know that I’m happy having her here, so long as she respects the rules of the house and doesn’t take liberties with our friendship. I’ve already had enough of that today, by the barrel load, and I don’t think I could take anymore.

She’s pissing the chair, isn’t she? I can smell it, and not only that but she’s wriggling and rocking from side to side and making the chair clang off the floor, scuffing up the wood flooring and making a right old racket, what with my neighbours downstairs and everything. You’d think she’d respect that if nothing else, but no, clearly she doesn’t. What a noise she’s making! She’s screaming now, too.

Don’t you want to see this?’ I ask over her shrieks, pointing at the television, trying to keep calm, but she’s really irritating me the more of a scene she makes, and I know I’m not going to be able to hold onto my temper for much longer.

The first time it happens, it’s their fault; the second time it happens, it’s your fault. That’s what my Dad always told me about people and how they take advantage of you, and something just seems to click in me because I can see this whole situation turning out just like it did with that snivelling, ungrateful ratbag in the fridge. Now, I’m clever, see, so I’ve got to put a stop to this now before I end up looking like a fool. It’s not like she’s going to calm down, and if she manages to tear up any of that masking tape she’ll rip the fabric off of my good chair and I’ll have to upholster it – that’s if she doesn’t get me an ASBO with all the disturbance that’s going on under my roof. My neighbours aren’t the most understanding and I wish they would get gassed to death in their sleep sometimes because I can’t see what good they do to anyone but themselves.

I walk past the bitch into the kitchen and on the way give her a slap across the back of the head to teach her a lesson, but the chair’s rattling like a penny that’s stopped spinning and is about to fall flat onto the floor, and she’s still screaming herself hoarse. Maybe I should have taped her mouth, too, but stupid me I thought I’d give her a chance? Forget that, in future.

I pick up my favourite knife from next to the microwave, clean some steak juice from it with the dishcloth, and then just as I’m walking back into the living room to quieten her down so I can watch the…

TELEVISION MORE IMPORTANT TO YOU THAN KEEPING OUT OF JAIL, YOU SICK, DUMB FUCK, IS IT? YOU ALWAYS WERE A FUCKING DISGRACE SINCE THE DAY YOU WERE BORN!’

I’ve left him down there, haven’t I? I’ve left him there because this stupid, ungrateful bitch in the chair distracted me and all I was trying to do was help her, and, yet again, all I’ve got is disrespect and ingratitude and…well, let me tell you, dad wouldn’t have stood for something like that, no way, because he would have thrown her down the stairs like mum and really taught her a lesson she’d never…

FORGET ABOUT ME, WOULD YOU, YOU CUNT? I’M DOWN HERE ON MY OWN AND YOU FORGOT TO PICK ME BACK UP, YOU STUPID FUCKING IDIOT, CAN’T YOU DO ANYTHING RIGHT?!’

I can’t believe he’s saying this to me after everything I’ve done for him, so I run over to the window and prepare myself to give him what for, but he just won’t be quiet, he just won’t shut his mouth for one second and I can’t believe that I’ve been so…

STUPID! YOU DRAG YOUR KNUCKLES DOWN HERE AND GET ME, OR SO HELP ME GOD YOU’LL FEEL THE BACK OF MY HEAD, I’M FUCKING WARNING YOU, YOU USELESS LITTLE PRICK!’

I’m crying now, because everything’s just been building and building and building up, and I can’t believe that all I was going to do was watch some telly and maybe read my comic book later on, and everybody’s being nasty to me and calling me names and shouting at me and telling me that I can’t do anything right, and making me look like an idiot in my own street, in my own house, in my own living room, and I just can’t take it any more, can I?

And then there’s a groan and a scream from behind me, and a noise like a Velcro strap ripping up off a shoe, and I turn to see the woman with her hair all wet with sweat, and her eyes all wide and angry, and she’s running at me with bits of tape flowing from her body like black snakes, running towards me like she’s going to hurt me. I just manage to swing my knife round to defend myself, because Dad always said strike first and ask questions later if somebody’s trying to hurt you, and that’s all I’m doing, because this woman, this BITCH, is trying to hurt me, and I don’t know why, because I invited her into my house and everything and maybe I didn’t make her a cup of tea, but there’s no need to go all crazy and run at me, so I take the knife and stab it into her side and its slides into her like she’s a sack of ripe melons and she screams again and there’s dark red blood and a kind of thick, warm smell in the air, and she’s hitting my face with the palm of her hand and slapping some masking tape into my eye, and I get to the point where I think…

THAT’S IT,’ he’s shouting, and my head is spinning so much I don’t know what to think about anything, because all I can hear are her shrieks and moans and his shouting from outside, and my own breaths and yelps as she struggles and fights me till I’m almost deaf and blind from rage, but not quite because I can see the knife in my hand and her blood, and I can feel the knife slurping out of her plump flesh and the muscles like putty under her warm skin as I drive it back in, and she strikes and strikes and strikes and strikes at me, and I’m dizzy and ill and angry and hot and hurt and hurting and ready to kill, and…

GETTING BEATEN UP BY A WOMAN, YOU USELESS PIECE OF SHIT, THAT’S IT, STAB HER, HA HA! YOU’VE GOT A KNIFE AND SHE’S STILL KICKING THE LIVING FUCKING SHIT OUT OF YOU, BOY!’

There’s a metal taste in my mouth and my head feels like it’s got a bowling ball inside of it spinning and banging and crashing and cracking and she just won’t give up, or stop it, and I’m crying cause she’s hurting me, really hurting me, and the more she hits the more I stab and I’d stop if she’d stop but she won’t stop, because they never stop once they start hurting you Dad said, so that’s why I keep thrusting and stabbing and crying and screaming and trying to make her stop, but she won’t, she just won’t, she just keeps coming at me with bloody hands and those scary eyes and now she’s grabbing me and pushing me and I feel my legs starting to buckle and my shoulders touching the edge of the balcony and I can’t get a good enough swing to get her again and I’m scared and angry and blood is running from my nose, MY NOSE, and falling on my shirt, and she’s trying to stick her fingers into my eyes, and the railing’s cold and she’s pushing and all I can see as she pushes into me with her body and my legs swing out from under me is the satellite dish on the roof and the moss growing on the tiles and then an upside-down view of the cars in the street as my stomach does a jump and I’m…

FALLING? THEY ALWAYS SAID YOU WERE UNBALANCED, AND HERE’S THE FUCKING PROOF!’

I feel like I’m in a tumble dryer but there’s no sound, like somebody’s pressed mute on the television, and the seconds are stretching like minutes so it feels like I’m spinning in space like an astronaut, tumbling over and over again, so smooth like a ballet move; but not, because I know I’m going to hit the ground. I see blood, and then the woman screaming silently, then green, then blood, then green, then blood, then green, then blood, then…

Nothing. I feel nothing as I hit the ground. Nothing. I know that it’s happened because I’m not spinning anymore, but I can’t feel anything. Nothing, like it’s not really happening, but I know it is because I can’t move very much and I can’t breathe.

My circle of sight is shrinking like the fading standby light on my television when I go to bed, but I can see him there, right next to me, lying on the grass not far from where I left him, slipped out of the bag, and he’s staring, looking, laughing, the lines around his mouth alive in a final, wicked smile, because he wanted this, he wanted me dead, he wanted this all along and all I ever wanted was for him to love me like they do on television, like they do on those happy, funny shows from the fifties when a mummy and a daddy all sit together on the sofa and eat their dinner and don’t push each other down stairs or beat each other with lengths of belt, and he’s happy that I’m fading, that I’m groaning, and dying, because it’s all there in his evil, laughing, fucking eyes. So I look down and see the knife sticking into my heart and the blood seeping through my shirt and down onto the grass, and I grab the hilt but I haven’t the strength to yank it out – not that it matters now – but I’d like to kill him a hundred times more before I go.

A PLACE FOR EVERYTHING,’ my Dad says to me, ‘AND EVERYTHING IN ITS FUCKING PLACE.’ 

THE END

Red Dwarf X-pectations

Red Dwarf X premieres on Dave tonight at 9pm. In a few short hours we will know if that ‘X’ signifies buried comedy treasure, or if it will make us all think of a solitary dead eye on the corpse of a cartoon character that’s been drawn by a three-year-old.

And, yes, I know it’s Roman numerals for ten, before some clever cunt who genuinely thinks I’m some sort of drooling malcontent tries to point it out.

Lister and the Cat.

Red Dwarf was my favourite comedy as a youngster, and memories of the show are inextricably linked to memories of my childhood, and of growing up. I shared favourite quotes and crap cast impressions with schoolmates (I did an impressively shite Kryten). It’s fair to say that each new episode was ‘event TV’, and fellow geeks and I would spend the day after transmission reliving the entire episode to the point of suicidal tedium.

When the first series was released on VHS in two-parts I scrimped and saved summer holiday money to get my hands on it. £13.99 for three episodes at a time in good old combustible, snappable video format – and no Monster Munch for a month – but it was worth the sacrifice.

From the series 4 glory days.

And what a show: Smeg, Talkie Toaster, two Rimmers, the first Kryten (‘They’re dead.’ ‘But I was only away for a minute.’), Lister having twins, the Better Than Life video game, the fried egg, chilli, cheese and chutney sandwich, the Committee for the Liberation and Integration of Terrifying Organisms and their Rehabilitation Into Society (or CLITORIS for short), Lister eating dogfood and burning books, inflatable Rachel, a self-destruct system that dispenses chocolate bars, Gandhi with a machine-gun, Kryten dating a blob, Lister fighting a curry monster, Kryten having a penis, Rimmer going nuts in a Gingham dress, Mr Flibble, group hallucinations thanks to aggressive marine life, Lister marrying a mutant, Rimmer being able to touch again, the Polymorph, Ace Rimmer, Dwayne Dibbley!

So many classic moments and characters have been etched into my brain. I was so obsessed with the show that I was moved to write this in my diary when I was 16:

“I brought down Red Dwarf with me that I’d videotaped the night before, because Papa likes it. I don’t mind watching it for the second time, as instead of concentrating on the programme, I like to concentrate on the reaction of the person watching it. Let me explain why: if you enjoy a certain thing on the television, it must contain elements you can relate to, therefore each one you enjoy reflects a facet of your personality. Every time my grandfather would laugh at one of the jokes, I would take that as a personal victory. It’s not as simple as merely saying, ‘Oh, he enjoys the show,’ because on some level his laughter is telling me, ‘Oh, he likes me.'”

I think it’s clear from reading that diary excerpt that I was a bit of a wanker. And incredibly creepy. After all the bizarre staring I subjected him to, my grandpa must have thought I was some sort of cross between Droopy and the little dead girls from The Shining. It also appears that my self-esteem was almost entirely based upon other people’s enjoyment of a 1980’s sci-fi comedy show. I must remember to write that one down for my psychiatrist.

Kochanski: Red Dwarf’s very own Yoko Ono.

Still, as much as I loved – and still love – the show, something went wrong: Rob Grant, one of Red Dwarf’s creators and one half of its writing team, quit the show after series six. It became clear that Rob was the writer responsible for the ‘com’ part of the ‘sit-com’ equation, and a noticeable dip in quality was evident following his departure. Series 7 still had some excellent moments – most notably the JFK-themed curry hunt – but the dissolution of Red Dwarf’s writing partnership, along with the decision to forgo a studio audience and film the show more like a comedy-drama, changed the atmosphere and ‘feel’ of Red Dwarf for the worse. Kochanski didn’t help either. She was shit (the character, rather than the actress) (yeah, add that rider to spare her feelings, Jamie, because she’s definitely going to be one of the three people who actually read this shite, you fucking egotist).

Danny John Jules as The Cat.

The Cat in particular became a one-dimensional retard, who seemed to spend his time pulling stroke faces and uttering the odd hackneyed and unfunny line about corduroy trousers. It was the cat’s almost sociopathic selfishness, vanity and callousness that made him funny in the earlier series, not his stupidity, which was never so much emphasised. Things picked up a bit with series 8, although I do agree with one Amazon reviewer who said that the show became like ‘Chuckle Brothers in Space.’ Also, in general, I feel it would have been better if the series had stayed with the six-separate-stories format and left the two-and-three-parters alone. I really liked the episode ‘Cassandra’, though, with the super-computer that could predict the future. It felt like classic ‘Dwarf’ again.

The pant-shittingly bad ‘Back to Earth’.

Then came the three-part special ‘Back to Earth’, broadcast on Dave in 2009, that was so hellishly bad it felt like Doug Naylor had travelled back through time to 1989 to personally spunk in my face. The entire first part – especially the tomato banter between Rimmer and Lister, and the distressingly cringe-worthy scene in which Rimmer conducted away to himself oblivious to the plight of his ship-mates as they battled a giant squid on the monitors behind him – almost made Citizen Khan look like the single greatest comedy ever produced. Fair enough, some of the ideas in ‘Back to Earth’ were inventive, if not a little derivative, but so what? It’s a comedy. It’s supposed to make me laugh, first and foremost.

Anyway, ‘Back to Earth’ was discussed on a comedy forum a few years back, and I found an interesting bit of chat about it from Scottish comedian Stu Who?.

Ok … so here’s a hypotheses … eh?

When we are younger and haven’t watched a vast amount of comedy, sit-coms, etc, we adopt some programmes which grow, with the passing of time, to be our nostalgic, firm favourites.

In their time, they were quite good, but weren’t really the classics of comedy that we think they were.

If the show is revived, we tend to compare it with the rose-tinted view of the previous series, rather than reality.

Or … in other words:

Red Dwarf was a pile of juvenile shite back then … and still is.

Discuss

I hope he’s wrong, and this isn’t just a case of me donning rose-tinted spectacles and staring at my childhood like… well, staring at it like a creepy grandchild who won’t leave his grandpa alone.

Red Dwarf was funny. Red Dwarf IS funny.

I know it’s just a TV show, and if I’d started watching it when I was 40 I probably wouldn’t give this much of a shit. I know I’m displaying a fanaticism and a personal stake in this akin to a religious fundamentalist defending his holy book. But please, please, please let tonight’s episode exceed my expectations, and blot out the years of disappointment I’ve suffered since Rob Grant left. Let the little embers and flickers of past genius that still glowed in the show, in some form or another, in the later series rage into a comedy bush fire. Let me love Red Dwarf again. Let me laugh.

Give me back my fucking childhood, Doug Naylor! And wipe that cum off my forehead.

Being an Open Spot – The Falkirk Herald

It must have been a slow news week at The Falkirk Herald back in June. Here’s a wee piece they did about me being an open spot, complete with entirely unnecessary moody picture. And, hey: I AM the news, motherfuckers.

Violence – It’s All in the Game

I’ve been thinking about that age-old question: do violent video games make us violent, or do we make these violent video games because we’re a violent species? Well, I say it’s an age-old question. It’s a pretty new question, really. My history’s not perfect, but I don’t think they debated it during the Hundred Years War.

‘What chance ‘av we got strategising against ze English when zey play so much facking Spess Invaders?’

To be honest, I think even Pong’s arrival was too soon to be debating the issue:

‘I want this horrid, bad influence of a game banned immediately. My son’s been playing it all week and he’s just nailed himself to a plank of wood with roller skates on it and now he’s sliding up the wall flinging cricket balls at people!’

This is where I’m from. And this is where I’ll always be. I’m trapped in you, 1980s.

I’ve been playing a lot of Grand Theft Auto (GTA) Vice City on the PS2 recently. I know, I know. Viva das zeitgeist. Finger on the pulse and all that. Maybe I’ll watch some Quatermass on Betamax as I’m playing it, while phoning you on a shoe-box-sized mobile phone to tell you all about it.

GTA doesn’t half make me aggressive – which is strange. Third world debt doesn’t make me angry. Starving kids don’t make me angry. Job losses in my home town don’t make me angry. But running out of time on a virtual mission to kill as many prostitutes as possible using only a flame-thrower? FUCK YOU, WORLD. FUCK YOU ALL THE WAY UP YOUR HOT MOLTEN CORE!! Only the accidental snapping off of the pissy little key on a tin of corned beef can even bring me close to such heights of rage.

It’s surely not normal that a game can make me think to myself, calmly and rationally: ‘I’m pretty bloody annoyed I failed that tricky mission. I think I’ll just go butcher some police officers until I calm down a bit.’

Because in the real world my arse jitters like a hedgehog in a cement-mixer when I drive past a cop car, even when I’m obeying the law and have nothing to hide. Cultural conditioning, I suppose. And human decency. And perhaps even a certain pussy-assedness. But in the virtual world, I’m chasing them down the street with machetes and rocket launchers, shouting quotes from Scarface.

This is surely unprecedented in humanity. Never before have tiny little pretend people – non-living avatars composed of motes of electrical magic in a make-believe world – been subjected to such florid and disgusting abuse: ‘GET OUT OF MY WAY OR I’LL KILL YOUR ENTIRE FAMILY YOU FUCKING COMPUTERISED CUNT!’ Shakespeare should watch me play and take notes for his next sonnet.

I’m a reasonably placid person in ‘real life’, so I’ve been wondering why GTA has had this effect on me. I’ve concluded that:

  • I don’t like losing at silly little games because I’m a big fucking baby.
  • I’ve no sense of perspective.
  • Aggressive competition and disgraceful violence is wired into my pathetic, throwback monkey brain.

More musings on this topic in the next few days. 

Cunt of the Week (13 September 2012) by Hannah Baillie

It was a relaxing, lying-sweating-in-your-bed-eating-a-chicken-n’-mushroom-pot-noodle-with-the-blinds-shut Sunday morning. I was lying alone (no change there) and began flicking through my Sky box. As I’m sure most of you know, there’s not a huge amount going down on the telebox on the Sabbath day, as of course most television producers are out taking part in communion.
Just as I was about to shove a fork up my nose (to create some actual decent entertainment) a Blast-Fae-The-Past flashed before my eyes. I skipped merrily down memory lane. My heart and mind were engulfed in nostalgia. My very CHILDHOOD AROSE FROM IT’S GRAVE!!!!! Well, OK: Supermarket Sweep came on. Now, I’m only 20, but I still remember this show from my old skiving school days like it was yesterday.
For those of you who may not be too familiar, Supermarket Sweep was a game show filmed in the late 80’s/early 90’s,  hosted by fake tan guru, Mr. Dale Winton. The concept is pretty simple (yet hilarious): six contestants are given three trolleys with which to run around a supermarket (studio full of food donated by Asda) so they can pile as much food as they can into them. The winner is whoever has the highest priced contents in their trolley when it’s tallied up at the checkout.  Now, let me make this clear: a bit like how I feel about my mother, I’ve got a love-hate relationship going on with this show.
On the one hand, it’s a fun, unique game show that’s pumping full of adrenaline with giddy, up-for-a-laugh contestants. On the other hand, it’s a cheesy pile o’ pish that features a bunch of pastel-coloured-jumper-with-scrunchie’s-in-their-fluffy-90’s-hair-wearing douchebags that are seen jumping up and down like retards thinking that 200 quid is going to change their lives.
But is that the entirety of what sweep has to offer when the contestants are seen going ‘wild in the aisle’?! Of course not!  Our palm-tree-tie wearing Winton also sets these bucktoothed souls a couple of challenges along the way; whether it be scooping up a bag of Pick N’ Mix, or an inflatable bonus.
The remaining four that go away without winnings are not left with nothing. Dale gives them a gift no amount of money could buy in my most favorite part of the show: the end credits. After Dale says, ‘Now remember, next time YOU’RE at the checkout, and you here this beep *beep beep*, think of all the fun YOU could be having on SUPERMARKET SWEEP!’
And then all the contestants, along with Dale, begin waving, and waving……. and waving and waving and waving and waving, until the cameras cut. I always fantasize about which of the penniless contestants is going to sue the show for repetitive strain injury on their wrist.
I hope you enjoyed my cunt.  Thank you and good night.

Hannah Baillie

THIS WEEK’S GUEST WRITER Hannah Baillie is 20 years old, and exists in Edinburgh. She is currently studying hairdressing but one of her passions – if not her main passion – is comedy! Now and again you’ll maybe see her in some Joseph Fritzel basement of a pub, telling ‘jokes’ on a Friday night. After completing high school she worked part-time as a For-Midgets-Only prostitute (HANNAH BAILLIE FUN-FACT – She’s fucked The Time Bandits, and jerked off the wee one from Game of Thrones), in order to save money to travel round America.

Whilst in the US she got to work aiding Mexican illegal midgets across the border into America in shopping trolleys. Baillie called it ‘liberation’. The FBI called it ‘kidnapping and sexual assault.’ When feds apprehended Baillie in Texas she was dripping with dwarf goo and shouting: ‘What use are those stupid wee T-Rex hands on my muff?’

Realising that there was more to life than being enthusiastically tea-bagged by scores of tiny men, Hannah decided that she’d be quite good at scalping people instead. So, if you look like you’ve been made love to by a bush, backwards, and like a wee ch ch chuckle vision along the way….why not find Hannah’s salon and say HI… But don’t say HI HO.

Article for Paranormal Magazine (2009) – Fear and Lothian

Cunt of the Week (03 Sep 2012) by Ross Leslie

Matt Bendoris – high quality journalism guaranteed.

I seriously considered making my ‘Cunt of the Week’ the pathological liar and teen romance high school preppy, Paul Ryan, after that performance at the Republican National Convention. I could also have added the embarrassing ‘turns’ by Romney-bot and former American hero, Clint Eastwood, however I remembered Jamie’s normal readership includes such intellectuals as Richard Hunter and Gregor Wappler, so I just left it as I didn’t want their brains to hurt. 

Therefore, step forward future sexual assaulter Matthew “Matt” Bendoris, for your journalistic car-crash of an interview with a fit lady, the super-talented Scottish violinist, Nicola Benedetti. Link to said article is here – http://www.thescottishsun.co.uk/scotsol/homepage/news/mattmeets/4502198/Matt-meets-Scots-violin-queen-Nicola-Benedetti.html – enjoy for yourselves.

Now, of course, you get what you deserve if you happen to read The Sun, hopefully a form of genital warts; that being said, and I believe this to be a true fact, 97 per cent of male Sun readers already have genital warts. Seriously, check it out on the Internet. And I wasn’t reading The Sun in online or print format, so don’t start by saying, ‘Haha Ross, your cock is all warty, too.’ It’s not, and I have photos to prove it, right? Anyway, yes, let’s get back to the cunt. (not with those warts you won’t, dirty – Jamie)

Now don’t get me wrong, I’m a red blooded male who likes to have the sex with ladies, and have done so on hunners of occasions, absolute hunners man. I have the humans I have procreated at home to prove it. Because of this I am well aware that Benedetti is a good looking woman; however, I wouldn’t try to mentally prepare her for a sexual assault whilst interviewing her for a national newspaper and then clearly take the huff halfway through because she clearly finds me physically disgusting.

Nicola Benedetti

He then says that she doesn’t take the bonniest of photos sometimes, and she is a bit beaky. Google image this weedy, specky cunt: he looks like Harry Potter in the first movie. He then gives us a blow-by-blow account of what she is wearing, and describes her physical attributes, sweat clearly pouring onto his keyboard as he types the words.

But what does any of this have to do with fucking music!? I am not a classical music fan – I’m more of a Carly Rae Jepsen man – but she is very talented in her field and it might be an idea to ask her some questions about that, eh? I suppose she has to take her share of the blame for agreeing to speak to the cunt in the first place, or at least her agent should be fired, but maybe her agent is still pissed off she didn’t want to get her vagina out for FHM-Zoo-Nuts, or whatever it’s called these days.

He does then ask a little about her music, but this is buried amongst references to her boyfriend being a lucky man, as he somehow snared this one – perhaps by being a man, and not coming in his pants when he first saw her; and then, worryingly in this boozed-up country of ours, he mocks her for only having FOUR drinks on her birthday night out. ‘I bet she didn’t even start a single fight in a taxi queue,’ he thought to himself.

I actually emailed him when I read it to congratulate him on his fine journalistic work, and asked if he had managed to get out the semen stains from his underwear. His response?: ‘Cheers’. Why argue with a fucking moron, Leslie, why do it? In summary: Bendoris – fuck you, cunt.

Ross Leslie

THIS WEEK’S GUEST WRITERRoss Leslie hasn’t been doing comedy for very long, but in his short-time on the Scottish stand-up circuit he’s already won Scotland in Session’s ‘Fuck You I’m Funny’ competition, been a finalist in The Shack’s Massive Comedy Gong Show, and been violently and lubelessly hate-fucked by the circuit’s premier sexual terrorist, Vladimir McTavish.

Leslie’s first ever gig was a gong show; a gong show being the harshest, most brutal comedy environment known to man. It’s the stand-up equivalent of D-Day. Less a baptism of fire, and more a baptism of the raging and eternal flames of Hell. It certainly doesn’t do wonders for your nerves or will to live, so for Leslie to have spent the majority of his first thirteen gigs gonging it means that the man has balls like space-hoppers. Or he’s completely insane.

Jonathan King. NOT from Fife.

Ross Leslie wasn’t just born in Fife. He IS Fife. If Fife is a Kingdom, then Leslie is its king – much like a blue-bottle is king when it’s perched atop a particularly gooey mountain of dog shite. We continue the royal theme with a little known fact about Ross: he was the disgraced pop guru Jonathan King’s first victim, and the only one of King’s victims not to press charges. ‘I knew he was lying when he said he’d make me a star,’ swooned Leslie. ‘I just wanted that wonky wee mouth gorging on my stauner.’ Leslie still visits King in prison six times a year for conjugal visits, and he always takes with him a Thomas the Tank Engine rucksack containing a jizz-stained school tie, an 80s shell-suit and a giant tub of mashed bananas.

PS: I apologise for the hurtful and disgusting lie I made up about Ross in this biography. Let me set the record straight. Ross Leslie is NOT from Fife.

FOLLOW ROSS ON TWITTER: @misterross  

CHECK OUT ROSS’S BLOG:  http://mum-blings.tumblr.com/

Trench

This is a short story I wrote a few years ago THAT NO FUCKER WILL PUBLISH EVEN THOUGH MY CREATIVE WRITING TUTOR GAVE ME 98 MOTHER FUCKING PER CENT!! WHAT, DOES SHE KNOW NOTHING, IS SHE A FUCKING IDIOT OR SOMETHING? But I’m not bitter about that in the slightest. I’ll just publish it here, so it can be read by those who matter. All five of you. This story hopefully proves there’s a heart behind all of the quadruple amputee jokes I do.

All locations in the story are a blend of different places, but anyone from Falkirk reading this may be interested to know (but probably won’t be) that the park at the beginning of the story is based on the top park in Wallacestone (apart from the water), and the industrial town in which most of the action takes place is modeled on none other than my dearly beloved Grangemouth.

Trench is a The Road-esque tale of a grandfather trying to do right by his grandson in a time of great horror. Excuse the shite formatting; this site’s not conducive to the smooth and proper publication of fiction.

————————————————————————————————————————-

Trench

by Jamie Andrew

The old man gave the boy a gentle shove; the swing’s chains creaked.

‘Higher, grandpa,’ said the boy. ‘Higher.’

      His muscles stiffened with the effort, issuing a few creaks of their own. He moved just in time to avoid the back-swing and a pair of boots in his chest.

‘I can nearly see past the town!’

‘Not so loud,’ said the old man, drawing out and lighting a cigarette.

      The boy propelled himself ever higher into the blank and cloudless sky; normally it would have been alive with jets cutting white scars across its marine canvas.

‘I’m going… to jump…’ said the boy, wrestling himself higher still, ‘…and jump… over…’

‘Take it easy, now,’ said the old man.

‘…the whole… town…’

      He landed on the grass, his supple little legs soaking up the impact as if he’d done nothing more than step off a kerb. Fearless. Or oblivious. It amounted to the same thing.

      The boy tumbled and somersaulted over the grass; and ran like a greyhound around the rusting relic of a roundabout in the centre of the park.

      ‘Come to my side,’ said the old man firmly, moving hurriedly past the gently rocking swing to reach him. He too felt like a relic: his body ached. He’d outgrown the world, or it him. There was nothing more he now wished except to see his grandson safe.

‘We’ll need to get going, son.’

      It was crazy to have taken him there by himself, especially given what he was carrying. He guessed the play-park visit was as dangerous as it was selfish. But if this was to be the last day their last day together then he wanted something with which to remember the boy, and a memory for the boy to hold on to that didn’t weigh heavy with sorrow or infection.

      His wife would have given him hell for this, but owing to the trifle of hard and soft contrasts stacked inside her large heart loved him more because of it. The old man allowed himself a smile.

      Twigs snapped. He hadn’t seen them coming. Two men stood on the opposite bank of the stream that fringed the park, a hundred yards away or less. The town had been in quarantine for only days (was it ten? twelve?), but the men’s grimy, ragged clothes looked like they’d been worn through an apocalypse. Dark and dirt sat on their faces, and seemed reflected in their glazed eyes. Many unsavoury things, especially natures, had been brought to the surface since the sealing of the town and the removal of law enforcement; like rats after a flood.

      ‘By my side,’ the old man barked. The boy did as he was told, slowly and without panic. The old man softly placed his leathery hand atop the boy’s head, then trod out his cigarette on the grass.

      The old man stood a silent statue. The men stared; wolves that smiled.

      ‘Are you sick, old man?’ hissed one of them, the taller and more toothless of the two.

      ‘Want us to take care of the boy?’ croaked the other, the fatter one, his voice blending into a rackety cough, which in turn became a rasping laugh.

      They wore their illnesses like tattoos. Bruise-like legions and weeping sores peppered their faces.

‘Well?’

      The old man replied by way of opening his jacket and drawing out his Webley Mk IV revolver; a souvenir from his war years trading bullets in the deserts and trenches.

      ‘This gun’s killed worthier and less deserving than you,’ said the old man, steadily raising his gun level with the taller one’s chest. His mouth felt dry, and his words scratched like flesh against gravel as they worked up his throat. The water rationing had done it. And the cigarettes, his long-departed wife would’ve reminded him. ‘Don’t make me prove that this old thing still works.’

He felt the boy push against his right leg, thread an arm above and around his calf.

      ‘Your old thing stopped working years ago,’ rasped the fat man, which caused the tall one to cackle like he’d a lungful of wasps. ‘We’ll teach the boy what he’s missing out on.’

      The gun-shot made the boy jump. It made the men jump too: blasted the smiles from their faces. But they didn’t leave. The old man felt the boy’s hands clamp tightly around his leg.

‘The next two bullets will cure you of your sickness, gentlemen, I can guarantee you that.’

      His hand trembled, but only because adrenalin had become more and more a stranger to his bloodstream since the beginning of his bus-pass days.

      The men stared. The old man stared back at them. Whether it was the gun itself or the look in its owner’s eyes that repelled them, within seconds they were gone; vanished back into the dense fronds and bushes from which they’d slithered.

The old man led his grandson through the streets. Most of the windows in the blocks flanking them were smashed, and people’s possessions lay strewn on the grass and pavements like carcasses. Wardrobes, clothes, chairs, televisions. All smashed and broken. Derelict and spilling out. The old man caught the scent of smoke from a nearby fire.

      He watched the boy surveying the destruction, a look of fascination relaxing his delicate features. The old man’s chest tightened. His hip felt like it had been sculpted from granite. He squeezed the nape of the boy’s neck then reached up to ruffle his shaggy mop of hair.

‘Will we get sick, grandpa?’ the boy asked, looking up at him.

‘We’ll be fine, son.’

      For some reason the disease, whatever it was, had spared the very old and the very young: two groups of people contagion usually fell and fed upon with unrelenting ferocity.

      There was a medical unit in the town square where people were taken once they became sick, or died. Its reek made the town smell like a hospital that had caught fire. The healthy and symptomless could submit themselves to the unit’s care voluntarily, but rumours persisted that those who entered it never returned. Nor did they seem to win their freedom beyond the makeshift razor-wire fences and military sentry posts that bordered the town.

      He’d heard the stories. People had tried to escape. Others had simply tried to climb or walk out, refusing to believe that in our golden age of human rights a civilised government had the authority to pen them against their will. All had been shot. It was said that a middle-aged man had scrabbled a few feet up one of the fences before a far-off sniper’s bullet had pounded through the fabric of his suit, leaving a raw, bloody wound through his chest. The next day his body was gone.

      They always came like phantoms in the night – in full bio-suits, he’d heard – to retrieve the terminally sick and the dead. It mattered little whether or not the tales were true. They stopped people trying to escape.

‘Grandpa, look,’ said the boy, squeezing his hand.

      The old man turned to see three young lads shuffle out from the entrance to a block of flats. They stood and stared from the opposite side of the street, each of them wearing police hats too big for their heads. One of them clutched a kitchen knife, which drooped menacingly from his grip like a pendulous limb.

‘What do they want?’ asked the boy, staring back at them.

      It still unnerved the old man how quickly the veneer of society could crack and peel. He recalled the words uttered long ago by a commanding officer: ‘The road to Hell isn’t just paved with good intentions, sergeant: its slabs are cemented by the blood of Samaritans.’

      ‘Keep walking, son,’ said the old man, focusing on the sensation of the pistol that rested against his heart.

      They weren’t far from the fence. As they passed by the local pub, its elderly landlord – an acquaintance of the old man – was standing on the pavement outside. The landlord leaned on the butt of a shotgun that was doubling as his walking stick; he called them over.

      Even though the old man knew he was a few years younger than the landlord, he felt twenty years’ younger by comparison. A life of free booze and second-hand smoke had produced a face barely one step ahead of the mortician’s easel. His barman’s apron was spotted with dark-red and brown stains, which made him look more like an over-enthusiastic butcher than a bar tender.

‘Look over to the east,’ said the landlord.

      The old man looked out towards the town square. He couldn’t see the square itself, but behind the rows of streets and factories he watched the first of the military helicopters rise to the sky. The boy looked up at him. He smiled back as best he could.

‘Where are they going?’ asked the boy.

      The sky thundered with an orchestra of blades and engines, its music reassuring the old man that this course of action was the right one. Once the helicopters had climbed high enough above the buildings, they dipped their noses and swarmed off towards the horizon like giant insects.

‘Can I pour you a pint?’

‘Maybe later,’ said the old man.

The landlord’s eyes were fixed on the empty sky. ‘Last orders.’

*****

The soldier waited for them by the hole in the chain-link fence. He wore a balaclava, only his glazed, blood-tinged eyes visible. The last time the old man had seen him the soldier had been proud and erect. Now he hunched and twitched like a vagabond, his uniform ripped and smeared with dirt.

‘Keep the boy well back from me,’ rasped the soldier. ‘Do you have it?’

      The old man reached into another of his pockets and withdrew two thick rolls of bank notes.

      Throughout the long, happy years with his wife he’d maintained the illusion of every Wednesday strolling to the square with their bank book, even though their savings had been locked in a chest in the attic. She wouldn’t have approved. Until today.

      The old man held out the rolls for the boy, who received them with a look of puzzlement.

      ‘You give one of these to your mum, and the other to the nice lady who’s waiting at the other side of that field.’

      The old man nodded towards the hole and its jagged fringes. In the field beyond, tall blades of grass swayed in the breeze like waves on an ocean. The ground dipped downwards after about five hundred yards, above which green mop-heads of trees were visible. No sign of the military, or the road, or the soldier’s wife that would drive him to safety. The boy would be running across no-man’s-land.

‘Aren’t you coming, grandpa?’

      The old man bent down to place his palm on the boy’s cheek, and looked at him; really looked at him. In those shimmering blue eyes he could see his wife, his daughter. In the heat of the boy’s skin he could feel the future.

      ‘I’m coming later, son,’ he whispered, ‘I’m too old to be running through fields.’

      ‘Keep low in the grass and don’t stop running until you reach my wife’s car. It’s red.’

      The soldier wrenched an envelope from his jacket and threw it down at the mouth of the hole.

‘Give her this letter,’ he said, his head hanging earthward like a scarecrow’s.

      The old man looked down at the boy. He’d thought about writing a letter to his daughter, but affairs of the heart had always been his wife’s department. Besides, those clear blue eyes looking up at her would be the only message she’d need. He bent down to clasp the boy’s tiny hands in one of his, and kissed him on the head.

‘Your gran and I love you very much.’

*****

The automated message boomed from the loudspeakers the old man knew were bolted like chain-guns to the town’s many sentry pillars.

‘Citizens. Proceed to your homes. Remain indoors.’

      He stood on the small balcony of his top-floor flat and looked past the town. He lit his last cigarette. A few minutes later the first group of bombers appeared over the horizon. From that distance they looked like a flock of birds, swift and silent. When they whistled, he closed his eyes; his grandson on his lap, his wife by his side.

      Maybe the bombers would follow the boy; but today, the old sergeant’s blood had cemented something no disease could curdle, nor government extinguish.

I Still Haven’t Found What I’m Looking For…

My behind-the-scenes webhost program tells me which browser search terms have led people directly or indirectly to Jamie Andrew With Hands. Granted, for some of the entries my website will have been on page 633 of 120,000 of the search engine’s results, but never-the-less: here are some of the more amusing search terms. Type these in and sooner or later you’ll find this site, although you’ve got to wonder what some of these people were actually looking for in the first place. I’ve sorted the searches under appropriate headings.

Cunt 

what a cunt: Hardly surprising that this search should lead to me.

sheep shagging cunt: My grandfather may have been from Aberdeen, but I find this insulting.

cunt beauty contest: It may relate to the piece on this site about the ‘Miss Falkirk 2012’ competition, but I’m holding out hope that there exists somewhere in the world a vaginal beauty pageant. Miss Piss Flaps or something. ‘And now that the swimwear section is over, we move on to the talent contest. Bring on the ping pong balls, the American football and the cans of Irn Bru.’

why are bus passengers all cunts: Probably keyed in by a pre-postal bus driver, seconds before he recreated the movie Speed on the First 60 service to Alloa.

photos being taken of cunts: This is either the Scottish vernacular for ‘photos being taken of people’ – and why would you search for something so banal? – or the user was searching for photos of photos being taken of female genitals. Indescribably weird.

fat mexican cunt: The nationality is unambiguous – the person being searched for MUST be Mexican – but must the owner be fat or the cunt itself? I guess we’ll never know. And for that we should be thankful.

see our cunts all lined up: But why?

cunts lined up for fucking: Ah, I see. Guiness World Record attempt?

hairy man cunts: Oh dear. Is this what the future holds for the Ladyboys of Bangkok once they get a bit older? ‘Ladies and gents, please welcome to the stage the Hairy Man Cunts of Motherwell!’

very nice cunts very nice cunts: So good they searched for it twice. If they were so concerned about cunt quality, perhaps they should have searched for ‘exceedingly good cunts.’

turkish people are cunts: Ah, must be a bit of Googling from the German minister for Immigration.

Which brings us to the next category of searches:

Foreigners

on holiday in marmaris the turks shagged her later she told her hubby: Oh, you romantic fool, searching for such a tear-jerker! Could you not spell Romeo and Juliet? Or maybe the searcher was a horny cuckold reliving the story of his wife’s infidelity, a tub of wallpaper paste and an empty toilet roll tube at his side.

scottish fat fucked in marmaris: Dunfermline man leaves tub of dripping in his hotel room; Turkish cleaner fucks it. That’s my guess, anyway.

do turkish men pay for blonde girls: No, you racist. Just because blonde women don’t want to sleep with you for free on holiday doesn’t mean that the Turks you see with little British floozies draped over them have paid for it. For greater success, my friend, try the Turkish technique out for yourself. You’ll only need two things: lies and alcohol.

cockmail persian: Sounds like some dodgy Iranian cartoon character to me.

greenland piss: Is this some sort of delicacy? I’ve heard it goes really well with…

reindeer shit: …yeah, that’s right. Think I saw it on Gordon Ramsay. Greenland piss and reindeer shit. Or is it Icelandic goat spunk with reindeer shit? I can never remember.

greenland wanking: Well, what the fuck else is there to do in Greenland, except gut seals and go sledging? For added fun why not add a splash of wanking? Little tip, though. Don’t leave your willy unsheathed for too long in those sub-zero temperatures or your little tip will break off in your hand like a false nail.

And with that we segue into the next category of searches:

Famous Folk

richard and judy wank: Is this a declaration (if so I don’t want to see the evidence), or a wish to see it happen? Merciful Jesus. Or maybe ‘The Richard and Judy wank’ is a new sexual sensation, similar to ‘You Say, We Pay.’ I’ve got it! A guy’s girlfriend/wife turns her back as he goes through her female contacts on Facebook, describing them to her as he beats off. If she gets twenty of them right, her prize is his promise not to be looking at her sister’s tits at the point of ejaculation. We’ll call it ‘You Guess, I’ll Mess.’

has louis walsh ever gotten a blowjob: Why would Louis Walsh disseminate this information? And why would anyone want to know this? Unless they wanted to be his first…

eagles cheerleader jamie fingering herself: I typed this one in, as it sounded… interesting? Incredibly disappointing. I ended up watching Thora Hird fingering herself instead. Save.

And now a less fluid segue…

Shagging and that

quad amputee model fucking: And you thought my comedy set was amoral.

postman fucking village housewife: As long as his black and white cat wasn’t involved.

fucked by a snake: Mounty Python? I don’t know why anyone would want to watch that. Just watch normal shagging, you degenerate. Willies are a bit like snakes anyway, aren’t they? Well, mine is. Foul and leathery.

dog fuck: Oh dear. Jamie Andrew With Hands would never condone that… unless you mean:

dundee sluts shagging: (see above)

ya.fucking.fat.orange.shag.bag.road.airdrie.scotland: The internet is so inclusive even the mentally ill can enjoy it. Well seeing they’re from Airdrie, though.

www pussy s in hands.com: I just checked. This website doesn’t exist! Which is a shame because I thought this was my chance finally to see Jamie the Eagles’ cheerleader fingering herself. Fuck it. I’ll just watch Thora Hird again… Get those thick grey tights off you, you old beauty!

jackface sexe: I looked into what Jackface was. A lot of intriguing answers. The last one made me laugh. http://www.urbandictionary.com/define.php?term=jackface No mention of it being a masturbatory cum face, though. Would have placed that at number one.

buckie women raped: Some sick puppies out there. Inaccurate anyway. I’ve seen women who drink Buckie. You don’t rape them. THEY rape YOU.

posh pussy: The singer or the class? The cunt or that cat? Questions, questions.

prostitutes in grangemouth: The standard is low, but there aren’t many towns out there where you can get a syphilis-themed blowjob for the price of a bottle of Buckfast.

she was rubbing my cock: A search engine is a strange place to boast this. Perhaps he thinks the computer is his pal, like HAL 9000, and he’s just keeping him in the loop.

what is a twat wand: I’ll get back to you on that one. Sounds like a Harry Potter-themed dildo to me, though. I typed this into google and found a porn-site with a video called NAUGHTY MILF JAMS MAGIC WAND DOWN MOUTH AND TWAT. I thought, ‘Hmmm, intriguing. I haven’t encountered this niche depravity before. Women sticking magic wands inside themselves.’ But it wasn’t a wand. It was a fat old man’s cock. Which wasn’t very magical to be honest. There’s another video advertised on the same page of the site, which is called DIRTY GIRL BOINKS HUNG STIFFY. Who named this porn video? A 12-year-old boy who’d just watched an episode of Scooby Doo?

And now to our final category

Grannies and Trannies

pictures of single grannies in grangemouth: It’s not as off-putting as it first sounds. Most grannies in Grangemouth are 23 anyway.

porn granny jk: Jakey? JK (as in Rowling)?

grannie fucking: Oh my.

granny sex queen: I googled it. No crowned geriatrics, although there was a link to MY MATURE GRANNY: FACIALS. Feel free to have a butcher’s, my filthy little readers, but I’m giving that click a miss. Unless one of you gets in touch to say it was Thora Hird again, in which case it’s showtime.

granny stiflin vagin: I’m lost for words.

tranny with the last name andrew: OI!

Cunt of the Week (28 August 2012) by Peter Wood

It’s a new season for the singing competition that has every wanker who has ever picked up a hairbrush travelling to London, Newcastle and Glasgow to audition for this tripe.

X-Factor: living the dream. All I have to do is wangle it through the live auditions, then listen to the judges’ bullshit about how I’m an artist – strange, how do they know that I paint? Same comments, every fucking year: ‘You’re born to sing’, ‘You’re a star’, ‘I can see your album in the bargain bin in Asda…em, I mean HMV’.

I can sing, I have a nice, cute face, a floppy hairstyle. I’ll maybe wear that quirky hat that I’ve always wanted to wear. UK today: where if you have a voice, you have a future. McVicar, Rose West and Ian Brady are all practising with a hairbrush for the 2016 auditions.

PETER: ‘I can’t give good head, but check out my new tattoo.’ (That’s what Peter wanted to say about the photo; it’s not a cyber-based admission of his own poor gobbling technique, which I can confirm is excellent – Jamie)

New season, same shit judges. You have Louis Walsh, the gimpfucknugget, then you have Gary ‘I have a personality that could make paint dry’ Barlow. Then there is the blowjob queen that can give head as good as Paris Hilton, and the mystery judge, ooooohhhh… what cunt will it be this time? They did have the forgettable Kelly Rowland that can sing, unlike Tulisa Constatvillas… Constanvialla… constonant, please, Carol. However, have you tried singing along to her songs? It’s like trying to sing along with Usher, heaps of hmmmmms and uuuuuhhhh, and then some rambling pish, and thank fuck there’s a chorus.

Back in the competition, the producers have paid for their botox, and made them wear a white t-shirt to show off their abs! Sing a cover, and they’re off through to boot camp, where you have to pretend to be all nice to the other hopefuls. Which is a bit like a comedy competition; secretly it’s all high 5’s, and ‘You go, girl/boy’, but secretly you’re like, ‘I hope this bastard dies on his/her arse.’ Then into the room, which is like Scotland/England/Wales/Ireland at school. Have I made it through? Wait a minute, this could be the room that goes through: we’re all cute and got killer abs and perfect hair and teeth! No, wait, there are 4 gingers in this room and 4 fat guys and a guy that seems to be just banging his head off the wall. Mind you there was that woman that was telling me she was on smack for 5 years and lost her whole family, including a leg through a combine harvester accident, and then of course her dad died and she left the keys next to note that said I should enter X-Factor.

Next stop, the judges’ houses. Oooohhhh, will I be going to sunny Spain, America… what? Where? Ireland with Louis Walsh and some dick from Boyzone; no, sorry, Getalife. Oh, this is life changing.

‘So if I spank you in the gimp mask I’ll get a place in the live shows?’

What, Louis, you want me to put my cock where for a shot at the big time? Could I not just give you a light paddling? I know if I put my cock there that I could get the record contract, but I am not that way inclined. So will a paddling while you wear your gimp mask get me a place on the live shows?

The live shows, I’ll have to make up some bullshit story about being abused by my granddad, but it’s not been done. That should make up for the fact that I don’t have children. I have just read through the first song choice: what the fuck, Bon Jovi? Ah, well, I’m boned.

So when it comes to the ring for me, and I am going to become more desperate than a fat girl on Babestation? So I never made it through to the final. And so what? The winner will have less fame than One True Voice. I mean, where are the winners? What happened to Leon Jackson; what happened to the first bloke and Cheryl Cole? 14 million people will pick up a phone to vote for two abortions called Jedward. Also, all we do is increase Satan Cowell’s bank balance, to cause more wars and conflict and deaths. To paraphrase the late Bill Hicks: ‘If it’s a choice between eternal Hell and good tunes, and eternal Heaven and X-Factor… I’m gonna be surfin’ on the lake of fire, rockin’ out.’ X-Factor = Cunts.

Peter Wood

THIS WEEK’S GUEST WRITER Peter Wood has been doing comedy for the last 4 years, and is currently producing sets for next year’s Glasgow Comedy Festival and Edinburgh Festival Fringe. Peter has placed in the semi-finals of the Scottish Comedian of the Year competition in 2009 and 2011, and describes his sets as fresh, original and funny. His favourite comedians are Mark Nelson, Paul Sneddon (aka Vladimir McTavish) and Raymond Mearns. Peter used to run a successful comedy night in Aberdeen, called ‘Best in the Field’, which literally took place in a field on the outskirts of Johnshaven. No human beings attended, but he seemed to have a good rapport with the cows who formed his audience. Unfortunately, they failed to adhere to Peter’s strict ‘No Trainers’ rule one too many times, and he stabbed three of them in the face with a spade. Peter then spent three weeks secured to a post, dressed as a scarecrow and drenched in bovine blood, shouting ‘KAISER SOZE!’ before he was shipped off to Thailand by the government. Peter has BPD, which means, by his own rules, if he got himself a floppy hairstyle and auditioned for the X-Factor he’d win it hands-down. There’s some confusion here, though. I’ve only ever seen Peter mention the acronym, so either Peter is bi-polar, or he works for the Boston Police Department.

FOLLOW PETER ON TWITTER: @peterpolishwood

 

Countdown to Destruction

spy{A news story, written in 2006, that was suppressed for security reasons, now declassified and safe to disseminate}

The aftershocks from a government inquiry into the sinister world of light-entertainment quiz shows will be felt around the world for some years to come, intelligence analysts have predicted. The scandal – dubbed ‘Points Make Spy-sies’ in some circles – has prompted ministers to ask questions in parliament, and forced MI5 and MI6 to question all aspects of national security.

Initially, the inquiry’s remit was narrow, investigating only the Channel 4 mid-afternoon words-and-numbers show, Countdown, after credible intelligence from MI6 suggested that the quiz had been compromised by foreign agitators.

Their fears proved justified. The late Richard Whitely was revealed to have been a Soviet sympathiser who used his TV platform to send coded messages to the KGB.

‘Whitely’s shit gags were actually signals to undercover Russian operatives, ordering them to attack British and American industrial and military targets,’ said an MI6 contact. ‘On one edition of Countdown, a contestant managed to get the word GARDENER. Whitely then quipped, “Oh, gardener. Gardener. Yes… em… well, we… eh… are certainly seeing the … ha ha … green shoots of recovery in this game. Really … ha ha… pruning out the weeds from the roses, aren’t we?” This terrible series of puns was actually the green light for a Russian-built car bomb to detonate outside of an American embassy in Bombay, which resulted in the deaths of forty men.’

She used ‘Mathema-tits’ to lure her prey.

Carol Vorderman – real name Kremlin Vordenovich – was also implicated. Her ‘numbers game’ was rigged so that the board would reveal the IP addresses of MI6 officials. A Kremlin listening station would then note them down and use them to hack into sensitive data files held on British agents operating within Russia. Vorderman is believed to have been indirectly responsible for the deaths of 63 British agents, and to have committed one cold-blooded murder: that of a British agent who had been posing as a studio boom operator, whose neck Vorderman snapped with her thighs at that bit just before the ad break when the audience was suitably distracted by a dreary anecdote given by a D-list has-been stage actor who clearly thinks he’s as hilarious as he is charming.

Susie Dent was cleared of all connection to the conspiracy when it was revealed that many of the men on the panel had had ‘their first wank’ over her in the 80’s.

When the investigation was widened to include other light-entertainment quiz shows it was discovered that Deal or No Deal has less to do with Noel Edmonds’ infamous Cosmic Ordering and more to do with all of the contestants – and Edmonds – being on the payroll of the North Korean government. Actually, they’re not too sure about this one, but Edmonds was shot ‘just to be safe’, said a top brass contact.

In a separate investigation, the concept of ITV’s Goldenballs was said to be so complex that each episode ‘punched holes through time, conceivably allowing German dinosaurs to rampage through the portals and eat our WWII soldiers’.

CLICK HERE FOR THE ‘ICKE DON’T BELIEVE IT’ MAIN MENU, and more bizarre news stories.

Jackson’s Brain on Insane Child Sex Rampage

jackoDozens of LA police strike teams were mobilised yesterday in a bid to neutralise Michael Jackson’s reanimated brain, which had escaped captivity and gone on a horrifying 12-hour child sex-attack marathon.

Police were first alerted to the atrocity by kindergarten teacher Jizzia Johnston, 36, who was teaching her class when Jackson’s brain struck.

‘I heard thumps on the class window, and all of the kids screamed,’ said Johnston. ‘I looked round, and saw why they were screaming. There was a chimp banging a brain on the pane. And the brain was going crazy, sucking on the glass like one of those facehuggers from the Alien films. The chimp was whacking off. ‘

Scientists had been conducting tests on Jackson’s brain at a secure facility in the north of LA, in a two-prong bid to ‘resurrect’ the drug-addled child-abuser and to isolate and remove those parts of his brain responsible for his deeply naughty behaviour, before finding him a new host body and sending him back through time in order to stop himself from abusing.

Big-shot scientist that thinks he’s better than the rest of us, Tony Cawziecowolski, explained: ‘Re-animation of a dead junky’s brain?: easy. Engineering his brain so that it had the power of independent movement?: piece of piss. The hard part was stopping Jackson from shagging DVD box-sets of Home Alone.’

Cawziecowolski believes that Jackson called on Bubbles the Chimp to help rescue him from captivity.

‘I wish I’d recognised the signs,’ he continued. ‘Jackson would sit on my desk and pulsate manically for hours on end. I just assumed he was engaging in some sort of ingenious ‘brain wank’. In reality he was harnessing his evil in order to telepathically summon his pet monkey to break him out of jail. But hindsight’s 20/20.’

Bubbles breached lab security at approximately 0645, and incapacitated 17 members of staff during the mission to liberate his former master. ‘It was like something out of Rise of the Planet of the Apes, but obviously with a heavier plot emphasis on the theft of a famous paedophile’s brain.’

Bubbles’ last stand.

There was a stand-off with armed police in the playground of the kindergarten school, which culminated in Bubbles being gunned down by rapid assault fire just as he was at the point of masturbatory climax. One of the armed officers who participated in the take-down, Gerry Mazterphucker, was visibly shaken by events.

‘I dunno, man,’ he said, tears snaking down his face. ‘What can I say, I just shot a monkey. Every time I think about that glistening monkey jizz, like morning dew, hardening to crust on its dead little paw, I start to cry. Game over, man. Game over.’

Another officer, ‘Crazy’ Charlie Ramirez, said: ‘Holy shit, son, last month I was on traffic, and this month I get to shoot motherfucking monkeys? This is the kind of shit I signed up for. Fuck you, monkeys, fuck you! Next time I want to beat a tapir to death! WOOHOO! America rules ass, son!’

During the gun-fight, Jackson managed to squidge off into the undergrowth. All that was left of his horrifying attack were the words ‘MMM CHIDREN’ scrawled on the windowpane with brain goo. Pretty good spelling for a disembodied brain.

Over the course of the afternoon Jackson’s brain was spotted moonwalking provocatively past a child’s picnic, gazing menacingly at a school bus, and in one terrifying instance was caught on CCTV palpating the face of a sleeping child. But, for horror, nothing tops the moment at 1615 when Jackson leapt past a line of kids at a road crossing and slapped each and every one of them in the face with his throbbing cerebellum.

Police strategists managed to lure Jackson to Macaulay Culkin’s house, within which Culkin had set up a series of ingenious traps, like swinging paint cans and doorbells with makeshift flame throwers in them and that. Jackson was only – and finally – apprehended after he was startled by the sounds of what he believed to be machine gun fire coming from the living room, and slipped on a pile of bouncy balls. Jackson’s brain was returned to the scientists.

“It’s the kids, Marty. Something has got to be done about the kids.”

‘Actually, we kind of fucked up,’ admitted Cawziec… Caws… Cocacol… the scientist, ‘As soon as we got Jackson back, we were so keen to make lemonade from these lemons that we maybe acted a bit hastily. We immediately fitted his brain into a new host body and sent him back to his own past. The trouble was, we sent him back a bit too far. And, unfortunately, instead of acting to alter the course of his tragic life for the better, Jackson decided to sexually molest his own boyhood self. thereby causing all of this shit in the first place. Still, Beat It‘s a great song, right?’

‘Whoops,’ he added.

Undeterred, the same team will be sending Rolf Harris into space in 2015: dead or alive.

‘There’s no scientific benefit this time,’ the scientist admits. ‘It’ll just be for a laugh.’

CLICK HERE FOR THE ‘ICKE DON’T BELIEVE IT’ MAIN MENU, and more bizarre news stories.

The Fresh Prince of Jihad

I came up with this odd, rather disturbing version of The Fresh Prince of Bel Air‘s theme tune a good few years ago now, but I was never wholly satisfied with the ending, so I shoved it away in a drawer beneath a mountain of old pants. I’ve unearthed said song, and tweaked it a little, because, quite frankly, I’m a sad, sad little man with no ambition. Never-the-less, it’s finished now. Who would have thought that the tune could have lended itself so well to the theme of Palestinian jihad? Uncle Phil would be livid!

I dedicate this re-worked song to two people. Firstly, to Speggy (aka Craig Evenden), who performed a rough-cut of this song at a drunken party years ago. He did this to see if the words worked with the tune – he also did it because he was pissed and I handed him the piece of paper. Secondly, I dedicate this to the very first Vivienne of Fresh Prince, the one who was dropped from the show for being ‘a bit too African’.

The Fresh Prince of Jihad

Now this is my story all about how,
My life got flipped turned upside down,
And I’d like to take a minute, just sit right there,
I’ll tell you how I became some mince that got mauled in mid-air.

It was Palestinia,
Born and raised.
In the compound, that’s where I spent most of my days.
Killin’, anthraxin’, and eatin’ my mule,
And shootin’ some people outside a’ the school.
When a couple of Jews,
They were up to no good:
Started rolling tanks through my neighbourhood.

I shot one little kyke, and Allah was there,
He said, ‘You’re joining with your aunt and uncle up here in my lair.”

I missiled up a lab and when the flames cleared, the
Science rate was threshed, and I had mice in my ear.
If anything I could say that these Abs were rare,
But I thought, nah, forget it, pre-pare for war-fare!

I got to the guardhouse about seven or eight,
And yelled to the Abbies, ‘No homes! Hell is greater!’
Looked at my kingdom, I was finally dead,
I sat on a bomb, that’s the price of Jihad.

@ Jamie Andrew 2012

(Unless you’re a lawyer, in which case it was Speggy. I can tell you his address and everything.)

The Show Must Stop: TV Finales – 24

24’s ending, unlike Lost’s, was pitch-perfect, as was its final season – admittedly after a slightly wobbly beginning. Season 8 showed us Jack Bauer with the safety off; a vengeful, brutal, half-mad slayer of wicked men; a man whose moral ambiguities about torture and killing had been flash-bombed from his soul following the execution of his girlfriend and the realisation of the extent to which evil and corruption had tainted the Oval Office – the hitherto incorruptible Alison Taylor included.

Jack went absolutely fucking ape-shit, and in his fury – and my imperfect use of English  – seemed even more indestructible and unstoppable than usual. His ass-kicking abilities were almost supernatural. In one scene, a few episodes from the end, he single-handedly ambushed a secret service convoy in a tunnel. Decked out in head-to-toe black body armour, complete with sinister black face-mask, he advanced on his enemies with the eerie, murderous calm of Jason Voorhees, spraying machine-gun fire this way and that, absorbing and ignoring their return bullets as if they were nothing more substantial than dust motes. It was a joy to behold. Genuinely thrilling and exciting, like 24 used to be.

Yes, 24 in its own way was just as preposterous as Lost; 24’s writers loved their nonsensical, character-destroying curve-balls, too. But we forgive 24 because we don’t – and were never encouraged to – take it too seriously. We let ourselves get swept away in the viciously fast current of its plot, our logic centres battered into submission by the insane rhythm of its non-stop, high-octane excitement. 24 has never had high or lofty ideals, or wished to stir our souls; all it’s ever wanted to do is to go to town on our adrenal glands.

Day 1 was great. Day 2 was good. Day 3 was a bit iffy, although the multi-episode arc with the hotel and the bio-weapon was thrilling. Day 4 was a bit shitty. Day 5, featuring our first taste of President Logan’s evil, was one of the best. Day 6 was one of the most preposterous and abominable outings for Jack, during which the series didn’t so much jump the shark as secure it to a space-rocket with a length of chain and tow it to Mars. 24:Redemption was pant-shittingly bad. Day 7 had its moments, but collapsed under the weight of its own ’double-double-double-double-agent’ ridiculousness: a certain someone should have stayed dead. Day 8, the last day, restored all of the series’ starting quota of intrigue, fun, thrills, scares, shocks and brutality, ensuring that past transgressions into illogic and shoddiness will be forgotten, and only the good times remembered. What a way to go.

In 24‘s final scene, Jack and Chloe share a goodbye. Chloe is in New York’s CTU, watching Jack on the screen, his image relayed by a CTU drone. They know this is probably the last time they’ll speak to each other. Because of the enormity of the scheme Jack has helped to expose, and the uncompromising brutality he’s visited upon its architects, he will forever be on the run from both the Russian and American governments. The peaceful retirement he was promised in the season’s opening episodes is now an impossible dream.

As Chloe deactivates CTU’s systems to aid Jack’s dash to anonymity and freedom, we catch one more glimpse of his face on the view-screen, looking searchingly into Chloe’s eyes.

I half-expected Jack to quote Jim Carrey at the end of The Truman Show: ‘Good morning. And in case I don’t see ya, good afternoon, good evening and good night!’ Then he‘s gone. Jack Bauer: the man whose chase will never be over. Tortured. Hunted. Haunted.

We’ll miss him.

————————————————————————————————————————-

Read all about the finale of Lost here.

The Doctor Wants To See Your Box Filled

A few years ago, as part of my then-job, I accompanied a guy to an appointment with a consultant at the local hospital. The consultant was your classic, staid, stuffy, be-spectacled, salt-and-pepper-haired, dead-eyed psychopath of a clinician. Which made it all the more strange when he entered ‘BANTER MODE’, like some android clicking a switch in its positronic brain.

‘Yes, and who’s this with you? Marvellous. Where are you living now? Is it nice there? Good. Good. Is that OK with you? Are you happy with that? Yes, and have you had a good day?’

The doc seemed unused to, and uneasy about, chatting like this with people like us. It made me imagine Frasier Crane being trapped in an elevator with the cast of Still Game. The ‘conversation’ was stilted and forced, like small-talk by check-list. There was a good reason for this:

He had a check-list.

This he presented at the end of the consultation, complete with pen and clip-board. One of the questions was – and I paraphrase slightly due to lack of a photographic memory – ‘Did the doctor have a friendly demeanour and seem interested in you as a human being rather than just treating you like a number?’

Poor prick. On top of having to remember thousands of facts about the part of the human body in which he specialises, and trying really hard not to accidentally murder people, some little pen-pushing, number-crunching bureaucrat is forcing him to be jolly and natural with people according to a very strict set of criteria in order to satisfy government friendliness targets. That explains his banter, which I admit was perfectly natural – but ‘natural’ in the same sense that floods, turds and strokes are natural. How much are these surveys costing? And who really cares? I don’t want my doctor to be nice to me. I just want him not to kill me.

‘Ah, so good to see you. Ha ha ha, charming, charming. So, how’s your sister? Is she? Oh, marvellous, marvellous… by the way, you’ve got AIDS.’

Doctors have a gruelling enough job without having to contend with customer satisfaction surveys. Especially GPs. Imagine how horrible it must be for them to have had to listen to 16,000 old ladies per day wittering on about their sons’ new jobs; the weather; their ancient, battered and leaking prolapsed arseholes; how their daughters-in-law don’t cook properly for their sons; how ungrateful their sisters are; how it ‘wisnae like that’ in their day, and generally droning on and on and on and on and on, with neither pause nor end, because they’ve fuck all else to do on a Tuesday afternoon and all of their friends are dead. And now the old incessant, piss-scented yammerers have been handed check-lists? Jesus, that’s like handing Jason Vorhees a chainsaw seconds after calling him ugly. Heaven help our GPs.

‘I got the feeling that the doctor just wasn’t interested in the work history of my son Johnny, the electrician. He’s in that Gibraltar, you know. But I’m not keen on that wife of his, oh no. Thinks she knows it all. Never listens to what I tell her, well, she’ll learn the hard way, so she will, it’s like I’ve been saying to my friend, Jeannie, she’s the one with the bad foot, she lives doon that road that’s filled with the gays and the junkies. Well, it’s no fur the likes of me to be spreading the gossip and that, but she wiz in that corner shop the other day and she saw that yin and that other yin coming in and buying a…’

ENOUGH! No checklist, OK, NHS? What I want from my doctors is simple. If I’ve cancer, catch it. If I’ve chlamydia, get riddae it. If I’ve a dicky heart, help make it start. OK? I don’t want to be my doctor’s BFF, lol oh doccy you be my bestest pal ever pinky swear you will be lol. Right? So let’s help end this madness.

By taking part in my 87 page ‘Should the NHS conduct customer satisfaction surveys?’ survey.

Cunt of the Week (6 August 2012) by James Walker

Hello. Before I start properly, let me say this. Unlike what I’ve seen from the other writers of this feature, I feel very uncomfortable using the word ‘cunt’. It’s not a natural thing for me to use that word, and in my head, the fact I’m putting quotes around the word means that I’m not really saying it, and the quotes sort of cancel the word out, which is of course inaccurate, but will help me sleep at night.

But maybe it should be a word that I’m a bit more comfortable with. For that reason, I am picking not one, but two of them. That’s right. I’m going to write about two of the fucks (I am very happy to use ‘fucks’ all day long.)

Now I like Ant & Dec. They’re fine. I’ve not been harmed by them in any way. I do not have a beef with them. My beef is with their smaller counterparts, Little Ant & Dec. If you watched Ant & Dec’s Saturday Night Takeaway,you’ll probably be aware of Little Ant and Dec. It was a segment of the show where A & D introduced these two kids, who were the child versions of them and they went off and interviewed celebrities and whatnot. They seemed very nice, and quite funny. I enjoyed them up until when the show finished.

‘Then why on earth are they your ‘cunts’ of the week?’ you might be thinking, in italics.

Well what I said at the end there. That’s exactly it. The show finished, and after that, nothing. Little Ant & Dec were no more. I both thought, and hoped, that it was going to last forever. It’s not as if they’d been going since the PJ & Duncan days, but I personally think the parents of Lil’ A & D should’ve had the foresight to get together and conceive a good few years earlier so that such a thing could have happened; I know that I’m going out in a few nights, so have just washed my best top, so looking forward is always a good thing to do. They were on one TV show and that was it.

Three for the price of two.

It’s just a shame that they’re not still around now, doing the same things as Ant & Dec, but a bit smaller, that’s all. It’s almost as if they were just shoved on to Saturday Night Takeaway as part of a recurring segment, and their future as Little Ant & Dec after the show wasn’t even considered. Little Ant & Dec are no longer together, and that’s why they are my ‘cunts’ of the week.

And finally, some people might be thinking ‘oh, well Little Ant & Dec actually aren’t that little anymore and are very possibly taller than the actual, properly aged Ant & Dec, and would no doubt have different interests and generally wouldn’t want to be known as a smaller version of other men for the rest of their lives. So it wouldn’t really work now, anyway’. I have decided to ignore those people entirely.

The enigmatic James Walker, who wishes to remain faceless for security reasons. Either that, or he’s incredibly fucking ugly.

THIS WEEK’S GUEST WRITER James Walker is a guy who is not very good at writing in third person and I, being him, can attest to that. Both he and I have done a bit of stand-up before as the same man and he has not won any awards (and neither have I.) I live in a flat together with him and they, and we have two hands between us. She has decided that this bio bit has already gone on a bit too long, and he and me and them would have to agree.

ALL OF US ARE ON TWITTER HERE: @jameswalkerguy.

 

Beauty Pageant: Scotland Style

The Miss Falkirk beauty pageant was held at the Inchyra Grange hotel last night. Usually when we hear the words Miss Falkirk they’re included in the sentence: ‘Geez, there’s an asteroid heading for Scotland. I hope it doesn’t miss Falkirk.’

Beauty pageants like Miss Falkirk can trace their ancestry back to America, beginning with a modelling event hosted by huckster and showman P.T Barnum in 1854 (the man who coined the phrase, ‘There’s a sucker born every minute.’) and culminating in the all-singing-all-dancing Miss America contests.

But we Scots embrace American culture somewhat awkwardly; whenever we attempt to emulate the glitz and glamour of their big show-stopping events it inevitably feels like the act of trying to squeeze an angry, shit-covered rhino into a tiny Gucci prom dress.

Anyway, I was at the inaugural Miss Falkirk last year, during which there was a wonderful culture-collision moment. When America met Falkirk.

It happened at the end of the night. The evening’s host, Steve Courtney, from local radio station Central FM, was about to announce the winners. There were many people to thank, and much excitement and anticipation to be wrung from the moment, which Steve was clearly relishing. Or maybe he was stalling for time until everything was ready. Whatever: he got his talk on.

‘Ladies and gents, it’s been a wonderful evening, I’m sure you’ll agree. But there can be only one winner, and I can tell you’re all eagerly awaiting the announcement. And so, without any further ado, it falls to me to tell you that the winner… the Queen who will be crowned…. of this…. the first Miss Falkirk… and what a contest it’s been, folks, they’ve all been great. Haven’t they all been great?’

Miss Falkirk 2012 finalists

The audience – which comprised the contestants’ immaculately dressed and coiffured mums, grannies and little sisters, and a large helping of cognitively-challenged, heavily drunk, knuckle-scraping car-park brawlers – was growing restless. Seats could be heard shuffling over the hard-wood floors; the odd nervous cough. Children were fiddling and fidgeting with their hands. The girls on stage were frozen like the last ten seconds of a Police Squad episode.

‘It truly has been a great one, ladies and gents, a competition and a night right up there with the best this town, and country, has to offer. So without any ado, no further ado at all… I’m just about to announce…. the winner…. the winner of Miss Falkirk 2011…. held here… in this lovely venue… and so the winner is… wait for it folks… here it comes… of this year’s competition…’

And then, in the silence of one of Steve Courtney’s lingering pauses, amidst a quiet crowd of hundreds, it came: the Falkirk-ification of this most American of nights.

‘…yes, it’s time. The winner… of Miss Falkirk… in the year of our Lord two thousand and ele…’

GET ON WITH IT, YOU CUNT!’

Followed by shocked silence. Which in turn was followed by one solitary burst of laughter: from my mouth. Not one single other person was laughing, or even smiling. Welcome to Falkirk, folks. It’s beautiful and terrible.

Good old Steve just stammered a little and moved on, completely ignoring the ‘cunt’, which was very professional of him. Especially considering that he probably wanted to pluck the little bastard out of the crowd and hurl him through the nearest wall.

Falkirk: sometimes I love you.

Cunt of the Week (30 July 2012) by Gregor Wappler

Jamie Andrew With Hands says: I’ve never felt moved to include a disclaimer in a ‘Cunt of the Week’ before, but here it is, folks. This week’s guest writer doesn’t so much sail close to the wind as become the wind, and wipe out a few shore-based tourist resorts. The tourist resorts being your sense of taste and decency. Yeah, I know, that analogy’s a bit muddled. But go with it. As I was reading over Gregor’s submission, I thought, ‘Should I censor this? Is it a bit rich to proclaim myself the arbiter of decency given that my current stand-up set is about a quadruple amputee? Is it wrong to censor creativity, however horrible it is?’ So, with all that in mind, I’ve decided to run with it. You have been warned. Gregor Wappler is a terrible and hideous human being.

I had a long think about what topic to cover when considering this week’s Cunt of the Week. I read some previous articles written by my contemporaries, and took inspiration from Mr. Robin Valo’s article last week about Facebook, and the fact that people think their opinion matters so much that they constantly update their statuses with pointless things.

So I thought that on the eve of the annual celebration of gratuitous self-gratification – I am of course referring to the hell that faces comedians every year, the Edinburgh Fringe – I would focus my attention on the hugely cunty aspect of modern life that is fame-seeking; i.e. people who just want to be famous for the sake of being famous, despite possessing no discernible talent. You know, glorified attention whores, a few of whom I have already passed on my way to my fringe base in Edinburgh; singers and bands already with the guitars and microphones out on street corners, singing and jiving away, desperately battling for attention from complete strangers because of some Oedipal longing in them for love and attention that was not adequately received and provided by their parents during the all important developmental years.
Well I have news for these cunts: it’s the 30th of July; the Fringe HASN’T EVEN STARTED YET! At least wait until it has begun before singing your fucking contemporary folk songs! This pathological need for undeserved adoration and attention seems to have built up to boiling point and more since the inception of shows such as X-Factor and Britain’s Got Talent.

Now every cunt and their dog (quite literally) thinks they are deserving of fame and money for singing badly, or just generally being their spastic self. Everyone thinks that their opinion means something, and that people should listen to what they have to say. Newsflash: your opinion means fuck all, and nobody else should listen to you, you fucking mongoloid spastic cunt.

The British population voted on Britain’s Got Talent this year and came to the conclusion that a dog is currently the most talented person in Britain today. A fucking dog! What a bunch of spastics. There should be a way of tracking these people down so that we can ban them from voting in important things, like the general election; or, failing that, putting them all in a big sack, filling it with cement and throwing it into the North Sea, along with the fucking prize-winning dog.

This person has just searched for attention and found it, and for how long? Well, the dog’s already about seven, so it probably only has two good years of performing left before it succumbs to broken legs and fucked joints from performing unnatural tasks every night. It should be put down, and its owner raped simply for wasting our time and getting on our collective tits.

This is what i mean: everyone thinks they can/should be famous, because they abused a dog and made it the most famous/’talented’ thing in Britain, and rapists and paedophiles get bad press! At least Ian Huntley didn’t vote for Pudsey the fucking dog! No, he just had terrible bath-time etiquette; however, he did keep a clean crime scene.

Gregor Wappler

THIS WEEK’S GUEST WRITER: Gregor Wappler is an Aberdeen-based stand-up, who was born in Milngavnie (which for all you non-Scots out there is pronounced guh-van). He’s been a Scottish Comedian of the Year semi-finalist, and once managed to use that little key to open the corned beef tin without snapping it off. As you can probably tell, Gregor’s stint working at the Rape Crisis Centre wasn’t a long or happy one; although it did give him plenty of material for next year’s Fringe, and his collaborative comedy double-act with Daniel Tosh: ‘The Rapes of Mirth.’ Gregor Wappler is the reason the Scottish Spastics’ Society changed their name… to the Gregor Wappler Foundation for Mongoloids. You can see Gregor and fellow stand-up (and Cunt of the Week contributor) Robin Grainger at this year’s fringe:  http://www.edfringe.com/whats-on/comedy/applause.

FOLLOW GREGOR ON TWITTER: @gwappler1

FOLLOW GREGOR AND ROBIN’S SHOW ON TWITTER: @applause2012

Remembering Gately-Gate

Rik Carranza (@rcarranza) tweeted a link to a blog in which the Daily Mail was given a kicking for yet another example of horrible, insidious bigotry. Here it is here: http://botherer.org/2012/07/28/the-daily-mail-and-how-an-nhs-death-means-racism-is-fine/ Read it, because it’s good. I have spoken.

And then read the following piece I wrote a few years ago about another bout of Daily Mail nonsense, this one centering on ignorance of civil partnerships rather than multiculturalism. Remember Jan Moir and the Stephen Gately fiasco?

Gately-Gate

I think it’s fair to say that the only person not aware of the Jan Moir/Stephen Gately controversy is Stephen Gately himself. The debate about Daily Mail columnist Jan Moir’s spurious and offensive attempts to link civil partnerships to death, seediness, tragedy and suicide has rolled across newspapers, TV news bulletins and, of course, the blogosphere.

Stephen Fry, Charlie Brooker, and tens of thousands of complainers to Ofcom have made their voices heard. Good old Fry, speaking out via Twitter (accused by some of orchestrating a “twitch-hunt”), said:

“I gather a repulsive nobody writing in a paper no one of any decency would be seen dead with has written something loathsome and inhumane.”

Sometimes the succinct punches possible through Twitter sum up a situation better than any lengthy diatribe. Charlie Brooker, in his excellent rebuttal and rubbishing of Moir’s insidious bile, described said insidious bile with the words:

“Spiralling galaxies of ignorance roll majestically against a backdrop of what looks like dark prejudice, dotted hither and thither with winking stars of snide innuendo.”

And so the humanitarian and journalistic crisis I’d like to name ‘Gately-gate’ was born.

Moir’s response to this whirlwind of hate whooshing towards her across cyberspace was to conclude a follow-up article with this:

“In what is clearly a heavily orchestrated internet campaign I think it is mischievous in the extreme to suggest that my article has homophobic and bigoted undertones.”

What naughty little rascals we are. How on earth did we manage to get the wrong end of the stick?

Let’s look at it this way: Moir is a journalist; that’s her craft; words are her raw materials. She’s supposed to be good at taking those words and putting them together so that the people reading them – even readers of the Daily Mail – can understand the sentiment and the points she’s set out to convey. But then she does appear to be the queen of disingenuousness and misdirection.

You can’t nudge-nudge-wink-wink at a tenuous link of your own creation between gays getting married and gays killing themselves, or dying on holiday, only to claim later that no, no, no, that’s not what I meant at all, I was only trying to show that gay people, like straight people, can have unhappy unions! I think we knew that already, Jan. People are people, and whenever you put them together, whatever their race, religion, sexual orientation or personality, you’re going to get a hefty proportion who don’t gel.

It’s worth looking at what Jan Moir originally said:

“Another real sadness about Gately’s death is that it strikes another blow to the happy-ever-after myth of civil partnerships.

Gay activists are always calling for tolerance and understanding about same-sex relationships, arguing that they are just the same as heterosexual marriages. Not everyone, they say, is like George Michael.

Of course, in many cases this may be true. Yet the recent death of Kevin McGee, the former husband of Little Britain star Matt Lucas, and now the dubious events of Gately’s last night raise troubling questions about what happened.”

And then her re-interpretation of her own words:

“In writing that ‘it strikes another blow to the happy-ever-after myth of civil partnerships’ I was suggesting that civil partnerships – the introduction of which I am on the record in supporting – have proved just to be as problematic as marriages.”

Did I miss the Peter Tatchell speech where he seethed: ‘Give us our gay marriages, so that we can perfect your lousy heterosexual efforts; and become little gay beacons to the dream of eternal coupling; never to part, never to argue, never to divorce.’ And, anyway, having read Jan’s two statements, can anyone see any correlation between her original line of thought and the reworking? In reading the former, can you see the meaning replicated in the latter? There’s that word of the day again: disingenuous.

Nice work, though, to find a causal link in such disparate tragedies. Has any research been done into how many car accidents have involved men from civil partnerships? Perhaps wedded gays can’t drive properly, presumably because they’re all so busy trying to suck each other off as they hurtle down the motorway.

Jan continues:

“It is important that the truth comes out about the exact circumstances of his strange and lonely death… I am sure he would want to set an example to any impressionable young men who may want to emulate what they might see as his glamorous routine. For once again, under the carapace of glittering, hedonistic celebrity, the ooze of a very different and more dangerous lifestyle has seeped out for all to see.”

Em, only one small problem there, Jan. As much as I found his music hideous, Stephen never set himself up as some sort of gay trailblazer – despite her assertion that he was a ‘Gay rights’ champion’. He’d never claimed to be a role-model for anyone. In fact, he only came out when someone went knocking on the door of The Sun. He was just living his life. He never preached on morality, never got himself in the newspapers every week – or even, latterly, every year – never rubbed any aspect of his life in anybody else’s face.

But even if the coroner’s verdict turned out to be ‘wrong’ (which it clearly wasn’t) or, as she still slyly maintains… in fact, let me interrupt my own sentence there so that I may reproduce some of Jan’s words verbatim. It’s easier, because she does most of the work for you:

“…it seems unlikely to me that what took place in the hours immediately preceding Gately’s death – out all evening at a nightclub, taking illegal substances, bringing a stranger back to the flat, getting intimate with that stranger – did not have a bearing on his death. At the very least, it could have exacerbated an underlying medical condition.”

Yes, because the innumerable heterosexual people I’ve known, or read about in the newspapers, who do on a regular basis the things that Moir outlines in the paragraph above are forever keeling over like poisoned canaries.

But even if the coroner was ‘wrong’ what happened to Gately is still none of my business, the public’s business or Jan Moir’s business. I suspect that Jan Moir, and certainly a hefty proportion of Daily Mail readers, would have found Gately’s private life ‘more than a little sleazy’ and ‘different and dangerous’ even if it was proven he’d only ever had wholly monogamous relationships, and healed the sick and the lame in his spare time.

But, again to hammer home the point: even if in the hours preceding his death Gately had parachuted through the hotel room window, naked and erect, straight into the waiting bottom of the Bulgarian man, while his partner videotaped it, it still wouldn’t have been any of Jan Moir’s business. There’s no case to answer.

Some said Charlie Brooker was being a typical reactionist, muddled leftie in calling for people to complain to Ofcom in their droves: ‘He’s always banging on about free speech and the Big Brother society, isn’t he?’ you can hear them say, ‘Why is he now trying to silence this woman just because she’s coming out with stuff he doesn’t like? He’s a hypocrite, isn’t he?’ Not quite. Look at what Charlie actually said:

“Jan’s paper, the Daily Mail, absolutely adores it when people flock to Ofcom to complain about something offensive, especially when it’s something they’ve only learned about second-hand via an inflammatory article in a newspaper. So it would undoubtedly be delighted if, having read this, you paid a visit to the Press Complaints Commission website (www.pcc.org.uk) to lodge a complaint about Moir’s article on the basis that it breaches sections 1, 5 and 12 of its code of practice.”

This is clearly more about just desserts than censorship. The Daily Mail, hoisted by its own petard. What’s good for the goose…

Cunt of the Week (23 July 2012) by Robin Grainger

It’s not tricky being annoyed at something. It is tricky, however, finding just ONE cunt or symbol representing said cuntitude, upon which to base one’s annoyance. (I just used the antiquated term “one” there to describe myself. You must already think I am a cunt.)

I had many thoughts about whom or what my victim would be. I scanned the competition. Richard Hunter told the council to fuck off; Fraser Edwards used his wit to banish real ale drinkers (I’m informed he was tucking into a Bishop’s Finger at the time…) and the lovely John McGoldrick did away with an absolute knob of a customer. My contemporary cunt caller-outers seem tough to beat.

I thought perhaps to target my rage on racists. Nah, racists are too easy. It would be much more fun, hypocritical and overall cunty of me to focus my rage on an area of modern life. An area which spills in on us like a randy priest, not just on Sundays, but daily: social networks.

How ironic to hate social networks when this display of vitriol will be shown on social networks. I realise I am as much a slave to social networking as anyone is, and this annoys me. I’d much rather have posted the blog by carrier pigeon.

Social networking is helpful if you want to promote something, share music and engage in shoot-shittery,but some people want everyone to know fucking EVERYTHING. Who gives a fuck where you are eating? Who gives a fuck that you got a new job? All that does is remind me that I have eaten tear-sodden rice for 11 consecutive days while wanking over the fact that I might not get the woman with the glass eye at the job centre.

Social networks also take the fun out of life. If you are with mates drinking and have a laugh, why do you have to return home to find yourself tagged in a status that reads ‘Drinking and having a laugh’? You know! You were there! None of the world’s important events would have happened the way they did had social networking been around. The Last Supper would have simply been: ‘Jesus is in Nandos tagged with 12 others. The waiter totes knows we didn’t order the wine. LOL.’

At this juncture I’d like to express hatred for social networks simply because they have become a breeding ground for fucking abbreviations. Use the whole sentence you dicks. We didn’t learn speech just to piss it all up the cyber-toilet wall did we? The fact that this generation is progressively more retarded than the last isn’t a coincidence; it’s because morons are saying ‘LOL’ as opposed to actually laughing.

On the other hand, at least the JFK mystery wouldn’t have been a mystery: the killer would have ‘checked in’ at the book depository.

Social media is just too time consuming. It takes over everything. Remember the thrill of meeting anyone new and learning that they are interesting? Facebook timeline punched that joy right in the gooch. Now, if you are single and like someone, you can stalk them backwards to find out they had an eating disorder, own a Sex And The City boxset and have a fondness for Jedward. In the good old days it would take a long-term relationship to build up that kind of hatred for a person.

Social media also makes people – mostly retards – believe that their opinion is as valid as everyone else’s, when it is actually formed from ignorance and fucking stupidity; Before this, you wouldn’t have to see these people spew their polyp-heavy, tabloid-flavoured diarrhoea all over your life and laptop screen. More people care about what lip balm Katie Price wears with which to boredly glaze a monosyllabic moron’s cock, than they do about actually having a conversation with a real person in real life. Celebrities for the most part are cunts; they are worshipped on social networks by cunts, therefore social networks are cunts for keeping the whole cuntcycle in motion. Kill them all.

I suppose it all boils down to me really. I need social networks, but I fucking loathe them. Perhaps if I dedicate the rest of my life to tabloids and The Only Way Is Essex, with a full volume backing track by Bieber on repeat, I may find myself joining the masses of mindless, joyless fucks out there. Let’s hope I’m not converted. Or cuntverted.

PS: The original draft of the blog wasn’t about social networks, it was about onions. I fucking hate onions. I don’t trust them. No vegetable should have the power to make a person cry. Unless that vegetable is a terminally ill loved one.

Robin Grainger

THIS WEEK’S GUEST WRITER Robin Valo Grainger is a 23-year-old stand-up originally from Mordor (Cornhill, Banffshire), but now living in Edinburgh, because he thinks he’s better than you. Especially YOU. He’s been on the laugh circuit since September 2010, and in that time has made it as a semi-finalist in the Laughing Horse New Act Of The Year competition, and semi-ed it again for the Scottish Comedian Of The Year competition in both 2010 and 2011. Some cunts from The Skinny have said that he’s like ‘David Bowie going through an emo phase,’ and credited him with ‘swagger, energy and some great ideas.’ The Daily Record called him, ‘The most diabolic sex criminal since Glitter.’ Grainger alleged that he was abused by a ghost in 1998, and since then has never been able to watch an episode of Scooby Doo without screaming in primal terror and masturbating himself into a bloody, crying mess. Puzzlingly, any TV show featuring John Craven has exactly the same effect on him. Robin Grainger is really looking forward to being dead.

FOLLOW ROBIN ON TWITTER: @robinvalo
READ ROBIN’S BLOG: aboynamedrobin.wordpress.com
SEE HIS FRINGE SHOW: http://www.edfringe.com/whats-on/comedy/applause