We can go anywhere: soar above the earth; dive beneath the ocean; drift off into the deep and silent void of space. But there’s one place we can’t go.
Back.
And sometimes that’s the only place we want to go.
We keep moving forwards, but something keeps pulling us back to the portals of our pasts, where we stand peering through the misted glass, trying to make sense of the shapes that shift before our eyes like shadows. We haunt our own lives, along with the ghosts of those gone from us, both the living and the dead, their marks passing over us like dust in the moonlight.
Then darkness.
We can never go back.
But we can’t stop trying.
Have you ever stood outside a place that used to mean something to you and tried to will it back to life: a place that now stands forever beyond your reach; a locked vault swollen with memories?
It’s bitter-sweet. You know that the only thing lying in wait behind that door is the erasure of the memories held in such precarious balance by the bowed and twisting column of your imagination. Someone else lives there now. Another person. Another you. Another life that’s swallowing yours, until theirs is swallowed in turn. Before everything’s swallowed.
I took my kids with me to some of these sacred places in my life. I asked my partner to photograph us. My kids and I gazed dead ahead at the past – my past – keeping our backs to the here and now. I know my kids will never get a chance to go through those doors with me, or feel what I used to feel every time I’d reach out a hand to knock on them. I know they’ll never get to meet the people who once stood behind those doors (most of them are either estranged from me or long since dead).
But I wanted to stand there with them by my side. It made me feel content, somehow. Like a circuit had been completed.
The kids, of course, felt nothing.
They were, after all, just staring at old, unfamiliar houses, no different from a thousand they’d seen before. Piles of brick and mortar, nothing more or less.
But as I stood there clutching their hands, or holding their tiny bodies against my own, for a moment I was there. We were all there. I’d taken them back with me. My brain had breathed life into the poetry of the ordinary, and turned those doors into time machines, reconstructing the things and people on the other side of that thin skin of wood with almost perfect clarity.
I could hear the shuffling of slippers down hallways, and the faint ticking of a clock on a mantelpiece; I could smell lentil soup wafting in from the kitchen; I could see ring-marks left behind by a favourite mug, and pictures hanging askew on the wall. I could see myself – younger, leaner, less corrupted – standing on the precipice of a life that would be at once more terrible and more precious and wonderful than I ever could have imagined. I could see and feel it all. The dead were alive, and the miserable were happy.
I think we have a hunger for our kids to know us, to feel what it is to be us. But they can’t. We’re ‘we’ and they’re ‘them’. Our lives are gone, or at least shifted, and theirs are just beginning.
But in those moments as the camera clicked, for one blessed, frozen second, we were there… actually there. And we would always be there. All of us.
In the eternal past.
Together.